yd2333ÔÆ¶¥µç×ÓÓÎÏ·

²¥·Å¼Í¼

¿ª¶Ë2025

״̬£ºHD
ÀàÐÍ£º ¾çÇé
Äê´ú£º2025

²¥·ÅµØµã£º

²»¿É²¥·Å£¬±¨´í

¡¶¿ª¶Ë2025¡·¾çÇé¼ò½é

°²ÄݺÍÍÐÂí˹Õý´¦ÓÚÀë»é±ßÑØ£¬Õâʱ°²Äݱ¬·¢ÁËÖз磬ÆÈʹËûÃDz»µÃ²»¼ÌÐø×¡ÔÚÒ»Æð£¬²¢ÍƳÙÁ˸æËߺ¢×ÓÃÇËûÃǼ´½«À뿪µÄÏûÏ¢¡£Ãæ¶ÔÕâһеÄÏÖʵ£¬Á½ÈËÔÚ×îÒâÏë²»µ½µÄµØ·½ÕÒµ½ÁËÏ£Íû¡£

¡¶¿ª¶Ë2025¡·Ïà¹ØÊÓÆµ

  • È«Á¦±¼³Û 2.0 È«Á¦±¼³Û
    È«Á¦±¼³Û
    2025 ¾çÇé
    ¼ò½é£ºÔøÊǺ«¹ú×î¿ì¶ÌÅÜÑ¡ÊֵĽª¾ÅÈÙ£¨ºÓÎý³½ ÊΣ©£¬ÒòÉ˲¡¡¢Àë»é¡¢¸ºÃæÌý˵ÏÝÈëÉúÑĵ͹È£¬ÃæÁÙÍËÒÛÎ £»ú£¬Ö»Ê£×îºóÒ»´Îʱ»úÍì»ØÖ¿°®¡¢ÖØÊ°Èٹ⠣»Í¬Ê±£¬ÈÈѪ¸ßÖÐÉú½ªÊ¤ÁÒ£¨ÀîÐÅÓÀ ÊΣ©Îª×·ÇóÐÄÒǵÄÅ®º¢ÖǶ÷£¬Ì¤É϶ÌÅÜ֮·ȫÁ¦³å´Ì¡£Á½´úÅÜÕßµÄÈËÉúÔÚÈüµÀÉϽ»¼¯£¬ÔÚËÙ¶ÈÓëÈȰ®ÖÐÍê³É×ÔÎÒ¾ÈÊ꣬־´º«¹úÌï¾¶µÄ³¾·â¼Í¼¡£
  • ¸¸Ó°Ö®Ï 6.0 ¸¸Ó°Ö®ÏÂ
    ¸¸Ó°Ö®ÏÂ
    2025 ¾çÇé
    ¼ò½é£ºÀ×Ã×Óë°¢½ðÕâ¶ÔС¸çÁ©£¬ÖÕµÃÓëÊèÀë¶àÄêµÄ¸¸Ç׸¥À­ÁÖ¹²ÏíÄѵÃÒ»ÈÕ¡£ÈýÈËÓÎ×ßÔÚÊ×´ÎÏà¼ûµÄ¾ÞÐͶ¼»áÀ­¸÷˹£¬ÉÙÄê¿ú¼û¸Ö½îÉ­Áֵįæ¹Û£¬ÒàÄ¿¶Ã¸¸Ç×ıÉú·ÉϵÄÖØÖØÄѹØ¡£ÏÖÔÚÕû×ù¶¼»áÕýÁýÕÖÔÚ1993Äê×Üͳ´óÑ¡½á¹ûµÄ¾Þ´óÒõÔÆÖ®Ï£¬¶ø¸¸×ÓÈýÈ˵Ĺé¼Ò֮·£¬¾¹Ò²³ÉÁËѡƱäöÎÐÖÐÆ®Ò¡µÄδ֪Êý¡£
  • ËÆºõÒ»Çж¼ºÜÔã¸â 10.0 ËÆºõÒ»Çж¼ºÜÔã¸â
    ËÆºõÒ»Çж¼ºÜÔã¸â
    2023 ¾çÇé
    ¼ò½é£ºAy?e, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world¡¯s horrors that Zeynep enumerates in her diary entries, these are minor problems, ¡®slight disasters¡¯, but they are all-consuming, at least to the extent of making them cry in the still of the night. ¡¡¡¡However, Umut Subasi¡¯s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. ¡¡¡¡Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. ¡¡¡¡Ô´×Ô£ºhttps://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster
  • Ò»ÏßÏ£Íû 10.0 Ò»ÏßÏ£Íû
    Ò»ÏßÏ£Íû
    2025 ¾çÇé
    ¼ò½é£ºÂõ¶û˹¡¤ÌØÀÕ½«³öÑÝÉú´æÌâ²ÄÐÂÆ¬[Ò»ÏßÏ£Íû](Not Without Hope£¬ÔÝÒë)¡£±¾Æ¬Óɳ²®ÌØ¡¤ÎÂÀ³ÌØÖ´µ¼£¬Æ¾¾ÝͬÃûС˵¸Ä±à£¬E. Nicholas Mariani׫д¾ç±¾£¬½²Êö2009Ä걬·¢µÄÒ»Æð»®´¬±¯¾ç£¬4λÅóÓÑÔÚÄ«Î÷¸çÍåÔâÓö¿ñ·ç±©Óêºó£¬²»µÃ²»ÔÚÍŶÓÏàÖúºÍÄÍÁ¦µÄÖÕ¼«¿¼ÑéÖзÜÁ¦ÇóÉú¡£
  • ÒõÑô¾µ 3.0 ÒõÑô¾µ
    ÒõÑô¾µ
    2026
    ¼ò½é£ºËÎÕæ×ÚÍíÄ꣬Çà´ºÄêÉٵİüÕüºÍÖ¿Óѹ«Ëï²ß£¬Ò»Í¬ÆÆ»ñÒ»Æð³¾·â¶àÄêÔ©°¸¡£Å®Ö÷½ÇÔÂÁÁÊ®¶àÄêǰ£¬È«¼Ò±»¼éÈËËùº¦£¬ÎªÁË·­°¸£¬Ì½Ñ¯µ½Ìý˵ÖÐÒõÑô¾µÄܶÏÊÇ·ÇÕæ¼Ù£¬ÓÚÊÇȥŵØÍµÈ¡£¬½á¹û´¥Åö»ú¹Øµ¼ÖÂÕ¹Õѱ»À§£¬ÎªÁ˽«Æä½â¾È£¬±ØÐëÆÆ½âµØÑ¨ÀïµÄÖÖÖÖ»ú¹ØËãÊõ¡£Ò»³ïĪչµÄÔÂÁÁÇ¡ºÃÓöµ½´Ï»Û¹ýÈ˵İüÕü£¬ÇÉÉ輿Á©ÀûÓùí÷È´«Ëµ£¬ÏëÒý°üÕüÈ¥µØÑ¨¾ÈÕ¹ÕÑ¡£µ«°üÕüÐÄÖбü³ÖÕýÒå¡¢¹«Õý£¬´Ó²»ÏàÐŹí÷È´«Ëµ£¬¾È³öÕ¹ÕѺó£¬ÔÂÁÁÄõ½ÒõÑô¾µºó£¬Ì¹°××Ô¼ºÒ»¼ÒÔâ¼éÈËËùº¦µÄÊÂʵ£¬Ð×ÊÖ»¹ÔÚåÐÒ£·¨Í⡣ΪÁË·­°¸°üÕü£¬ÀûÓÃÒõÑô¾µµÄ´«Ëµ£¬Ê¹µÃ°¸¼þÖØÑÝ£¬Ð×ÊÖÐÄÐ÷¿Ö¾å̹°×´Ó¿í£¬ÈÏ×ï·üÖï¡£½ñºó£¬ÄêÉٵİüÕüÒ»¾Ù³ÉÃû£¬Ëù´ú±íµÄ¹«Õý¡¢¹«ÕýºÍÕýÒåµÄÐÎÏó£¬ÂýÂý±»ÃñÖÚÊìÖª£¬±»ÃñÖÚËùÓµ´÷¡£
  • ¿ª¶Ë2025 2.0 ¿ª¶Ë2025
    ¿ª¶Ë2025
    2025 ¾çÇé
    ¼ò½é£º°²ÄݺÍÍÐÂí˹Õý´¦ÓÚÀë»é±ßÑØ£¬Õâʱ°²Äݱ¬·¢ÁËÖз磬ÆÈʹËûÃDz»µÃ²»¼ÌÐø×¡ÔÚÒ»Æð£¬²¢ÍƳÙÁ˸æËߺ¢×ÓÃÇËûÃǼ´½«À뿪µÄÏûÏ¢¡£Ãæ¶ÔÕâһеÄÏÖʵ£¬Á½ÈËÔÚ×îÒâÏë²»µ½µÄµØ·½ÕÒµ½ÁËÏ£Íû¡£

ÆÀÂÛ

  • Ä¿½ñûÓÐÆÀÂÛ£¬¸ÏæÇÀ¸öɳ·¢£¡
  • ÍøÕ¾µØÍ¼